Leeds, February 19th 2013
I like Leeds. It’s the Manhattan of Yorkshire. The dwellers have interesting faces. They’re open and blunt but oddly into fashion. The venue is a gorgeous little theatre of great vintage. It’s been refurbished but I notice from the big book they have all the performers sign that Jeremy Hardy preferred it before. Jerry Sadowiz just wrote: I should be in musicals. Nobody else seems to have tried to be original. I tried and I failed.
Great audiences in Leeds, I don’t know why. I’ve always loved playing here. This lot carry me through a difficult night. I am very grateful to them. Afterwards I head straight for the hotel and bump into some early leavers on the street. I take a photo of myself with a woman’s phone. I think I get her in it. The world is slowly drowning in photographs. Human-like creatures will excavate Earth billennia after our extinction and base their entire cultural theory on the fact we worshipped cats. And owls. Owls are cropping up everywhere. An owl once landed on my head. I had a hat on.
I coffee up and load into the van at midday. The streets resound with engine noise and a chorus of pneumatic drills. We are off to the seaside today.
Whitley Bay is all barbers and charity shops and churches. The wind has teeth. I take a whistle stop turnaround. Not much to see at first glance. It reminds me of Prestwick. Don’t go to Prestwick.
Our abode is a local hotel with a violently patterned carpet and mad camp armchairs. The proprietor is most accommodating. He insists on dragging Brian’s suitcase over the hillocks of the establishment’s many staircases. My room is a mixture of old school guesthouse and student digs with the incongruous inclusion of a corduroy chaise longue. I need a giant box of value Cornflakes and a Jimi Hendrix poster. I listen to Nick Cave’s new album and the scene is complete. Somewhere nearby is, I assume, a bay with a beach. I think better of making an assault. I already have east coast teeth marks in my face.
After the show I sign an autograph and have a photo or two taken beside our blacked-out van. Nobody is going to linger very long in this temperature. I take to my bed-sit and watch the fag end of the Brits stretched along my chaise longue. I demand hookers and cocaine. I get crisps and a bad Matt Damon film on BBC1.
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Ekberg Golf Academy powstała w 2005 r., swoją działalność zaczęła w Rajszewie w ‘First Warsaw Golf and
Country Club’. Od 2009 r. działa w Wilanowie przy ‘Golf Parks Poland’.
Od początku swojej działalności prowadzi szkolenia i lekcje
indywidualne, grupowe, kursy na Zieloną Kartę, programy dla juniorów, kobiet, zorganizowanych grup podczas spotkań
firmowych a także organizuje wyjazdy i wakacje z golfem.
W ciągu ostatnich 10 lat Ekberg Golf Academy była liderem w pozyskiwaniu i wprowadzaniu
nowych graczy do świata golfa w Polsce. Polski Związek Golfa potwierdza, że
EGA wydała najwięcej zielonych kart w Polsce w latach 2011, 2010, 2009,
2008, 2006.
Ekberg Golf Academy jest autoryzowanym centrum indywidualnego doboru kijów PING oraz wyłącznym dystrybutorem sprzętu
golfowego PING.
Głównym trenerem i założycielem Ekberg Golf Academy jest David Ekberg, który profesjonalnym trenerem golfa został w 2000 roku w Australii.
David został odznaczony tytułem AAA, najwyższym możliwym odznaczeniem nadawanym
przez Professional Golf Association of Australia. W Polsce także zdobył tytuł ‘Najlepszy
Nauczyciel Roku 2007 PGA Polska’ oraz ‘Najlepszy Nauczyciel Roku 2013 PGA Polska’
Zespół profesjonalnych trenerów Ekberg Golf Academy tworzą najwyżej
wykwalifikowani/najbardziej doświadczeni specjaliści w Polsce
Ekberg Golf Academy jest autoryzowanym centrum indywidualnego
doboru kijów PING oraz wyłącznym dystrybutorem sprzętu golfowego tej firmy na
Polskę. Od zeszłego sezonu Ekberg Golf Academy posiada symulator
Foresight. ‘Foresight Launch Monitor’ jest technologią wykorzystywaną przez
Golf Channel i Sky Sports. W samym sercu symulatora Foresight znajduje się stereoskopowy system kamer, które wychwytują i
analizują parametry uderzenia w momencie kontaktu kija z piłką.
Dzięki temu jesteśmy w stanie poznać odległość i kierunek uderzenia, kąt natarcia kija, oraz dokładną rotację i prędkość lotu piłki.
Uzyskane dane umożliwiają naszym trenerom na precyzyjną analizę swingu, dobór
kijów z porównaniem osiąganych dystansów różnych modeli i szaftów.
Jako jedno z niewielu autoryzowanych przez PING miejsc w Europie wykorzystujemy technologie ‘nFlight’.
Jest to autorski system PING zaprojektowany do dopasowywania kijów PING wykorzystywany w europejskiej oraz amerykańskiej, głównej
siedzibie firmy PING.
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I’m trying to visualise your heart with a scrotum hanging from it. Still trying to figure out if it’s a turn on or nightmare.
Have you become a ladyboy Justin?
Another great performance last night at Kendal – DESPITE the venue! Can’t believe i paid the same pice for my ticket (sitting 2 rows from the back peering round those in front and 4 support pillars!) as I did for the padded luxury of Whitley Bay Playhouse.
“Half of me” wants to ask for a refund, but the other half says I wouldnt have missed it at twice the price. “Half of me” thinks I should be grateful – it will be worse after the worldwide success of the forthcoming third album, when next years stadium tour means I cant get near the bar – or the toilet at the gigs!!
The new songs are sounding great and your voice is in top form JC. How about a Glasgow gig?
I live in Carlisle, but there’s something about the atmosphere up there – you jocks know how to enjoy yourselves!!!
Baby, I like it, it feels alright.
So there I was in the city where 15 years ago or so, I saw Del Amitri blow our collective socks off. The audience is older now of course, but fuck me they are all beautiful. Faith, there is nothing more attractve when well placed. They have it every one. Faith that there is still hope for music and all its possibilities when its done right.
Its funny but there’s something about this gig that evokes that one. There may not be a random generating song, bingo machine like there was in 88 (Did I really hear Justin sing Dancing Queen, Im still not sure that I didnt somehow imagine that all those years ago, and I still havent quite assimilated it.) But what is powerful here is the way now, like then, Justin cedes some control to the audience, makes us responsible for the gig we want to see.
He trusts Leeds, you can see it, and in return we are enraptured. Nobody asks for the “Dancing Queen as our way of saying thanks. Its as it should be. We are symbiotic. We are mutualistic, like the Wombat and the Snail.
So instead I shout out for lucky guy, and for a glorious moment Mr Currie happily considers it, and I cant stop smiling how could I not be satisfied? He tells me he would “love to play lucky guy, but I dont know if I can remember it” He seemed to teeter for a second but a barrage of other requests came flooding in taking that moment away. Somehow though it didnt matter the fact Justin was pleased by the idea was more important than hearing the song. Im pathetic but I dont care
Its funny isnt it, a previous tours blog once made mention of the audience wanting the performer to enjoy the experience, and I am guilty as charged. Fuck it, I love what utter joy this man has provided throughout these years. I owe him (and Iain et al) more than the sticker prices on the albums. Whoops £2.99 etc. I owe him for challenging me and helping shape my view of the big concepts, you know….some of the things I believe in. Love for instance. You fucking bastard Justin, how could you?
Its my third gig of the tour and the only one I will be accompanied to. You always want the person you are with to enjoy it. She does. Of course. She who is not given to girlishness, unsually looks a little flushed and has a misty eyed look as she contemplates our singers ‘repetoire’.
She always told me Del Amitri music was miserable after she almost fainted at a gig in the Sheffield Octagon lots of years ago.
It was a source of frustration to me that until around three years ago when she came to a solo gig, she couldnt be co-erced back. Now she seems replete. No need to feel guilty baby. On the way home she tells me that its so obvious that this is my favourite thing in life. I just smile as I catch her eye, it doesnt need an answer. Its redundant.
Aint I a lucky guy?
Beautiful Les…you’re a lucky guy!
You’d better believe it. :-)
Delighted to hear that the tour is going so well. Not been able to make any of the gigs so far – pity.
Take a look at http://www.thegigcartel.com/gigs/gig:1796
Do you have something to tell us?
In ancient times cats were worshipped as gods; they have never forgotten this. Cats rule! Good luck with your demand. I think the next book you should do would be a a traveller’s guide to the UK. I wish you could have been my geography teacher in high school, I would have paid attention and got better marks.
Great review Andrew cheers! :-D
Justin, an owl landed on your head? Obviously a wise fowl that knew the perfect perch for a hootenanny when he saw it. Apparently they have exquisite taste in music. And perches.
The Owl and the Pussycat has just popped into my head. Perhaps those future humanoid archaeologists will consider that poem a sort of “rosetta stone” of our owl and cat worshipping cult culture ;-)
http://www.nonsenselit.org/Lear/ns/pussy.html
Break a talon!
Owl be seeing you…..xxxxxxxxxxxxxxxxxx
Thanks Glinda!
Saw the Leeds show…decided to watch and listen rather than photograph and record so rather than being able to demonstrate my attendance to a third party, I could enjoy the moment(s).
I watched the Brits last night and had a ‘what is wrong with this…(I want to say ‘picture’ but after my previous comment, I find I have screwed myself!)…’ moment.
There is something cross-hobbled (proper Yorkshire, that!) with British music when ol’ JRC can’t get a (mainstream) look in thanks to to paler, weaker imitations.
The writing, consistently tremendous and the live performance was breathtaking!!! Well done son!
Thanks John!
Apparently they’re “ugrading” my current hometown of Whitley Bay- they’re repainting the dome and pedestrianising the seafront with inlaid lyrics from Mr Knpofler’s “Tunnel of Love” as if by magic a fucking council laid piazza is going to stop the stag and hen’s descending upon us and transform us into the cultural capital of Europe. Methinks not! too much like tarting up the trenches and painting the bridges blue as some bard wrote a lifetime ago. No if Mayor Arkley and her chummy chums really want to raise the profile and see some real class and culture they have to encourage and promote more shows from the likes of Justin Currie to town and make it a must play venue.
And so the big man breezed into a cold, grey, lifeless Whitley Bay instantly illuminating The Playhouse and warming the cockles of a near capacity crowd. Hamstrung by a “finishing time” and not wanting to suffer the indignity of a “McCartney Switch Off” he appeared brusque, almost business like, as he went about the task- knowing he had to get the job done in 90 minutes- there was no extra time and penalties available here!!
But going through the motions he was not- sure I’ve heard him wittier and seen him more interactive and explanatory, but if I wanted comedy I’d go see stand up and if I wanted dialogue take in a fucking chat show. I’d gone to see one of the finest (and I hate to add most under rated) singer songwriters of my generation perform his art- and boy did he deliver!
Working from a skeleton of a setlist, relying on crowd requets to add the meat to the bones, Justin gave a ubiquitous display as he moved effortlessly between strings and ivories on a whistle stop tour of classics, hidden gems of b-sides and delightful solo material. This was no “look at my greatest hits” or crowd pleasing just a unique opportunity to witness how many timeless classics this man has written for us and continues to do so- Always the Last to Know is as relevant as No Surrender- the latter sang with intensity that bordered menace. Never a purveyor of pop pap, his melancholic, biitersweet tunes delivered with the adhoc approach to his setlist engaged his following from start to finish. I even timed my request for In the Frame to perfection- performed instantly as his next tune. Tight playing and probably the best vocal I’ve ever heard from him took songs like Whiskey Remorse and a stunning version of Jimmy Blue to new heights. The evening rounded off with a truly busked, no PA version, crowd backed Be my Downfall that sent a well pleased audience skipping off into what was no longer a cold world.
Off we retreated to gather at a nearby watering hole to relive what we’d just witnessed along with like minded fellows. Yes big man you did it again. I had the pleasure of meeting with him post Stockton Arc last year -see “Road to Runcorn” bilge where I asked him two things- not to leave it so long until next time and to find a suitable venue in Newcastle – he delivered on both. I hope he continues to delight us by playing regularly going forward (your audience wants you to!) and the Playhouse becomes a regular stopping off point.
Thanks Mr C- and I’ll raise a glass to next time