A lopsided frantic drumbeat followed by a hurried fill brings in a strange flapping scalene bass melody. It comes seemingly from a brooding sky. A guitar cuts in, arpeggiating on two strings in a dumb angular primitive way. The voice starts, a crooner in some dripping concrete basement intoning news of a cataclysm. Things are crashing, or at least racing into chaos. It is already frightening. Family pets are distressed, you don’t really like this dim, echoing cathedral of disquiet.
But you venture further in and though things warp, slow down – the atmosphere of doom is relentless. The metal guitar alternates between melody, crunch and a sort of ratcheting, like something with steel teeth being cranked. There are hints of narrative – empty cars, everything abandoned: where will it end? The singer modulates up an octave. He seems desperately scared. Is this entertainment?
The drums are in the wrong room, it’s…—More Rants/Slates